Digest
Ashley D James at Silo Gallery
August 29-31
Middleburgh, NY
Opening reception August 29, 3-6 pm.
Ashley James is a New York-based ceramic sculptor who earned her BFA in painting at the Kansas City Art Institute. Her work has been widely exhibited, including at the Aldrich Museum of Contemporary Art and at Franklin Parrasch Gallery. Her sculptures have appeared in publications such as Wallpaper and Ceramics Monthly, and, of course, are on display at Pidgin.

Supernature 6
July 25th -July 27th , 2025
A farm-dinner-disco-camping party at
the Farm at World's End in Esperance, NY.
Click here to visit their website for more info and tickets.

Rensselaerville Library Community Cinema Film Hour
Screenings begin at 7:15 pm
Thursday 07/31
The Straight Story (1999), David Lynch
Thursday 08/28
Juliette of the Herbs (1998), Tish Streeten
Thursday 09/25
My Beautiful Laundrette (1985), Stephen Frears

The Roof Garden Commission: Jennie C. Jones, Ensemble
Through October 19
The Metropolitan Museum of Art
1000 5th Ave, New York, NY 10028
"For the 2025 Roof Garden Commission, Jennie C. Jones (born 1968, Cincinnati, Ohio) has produced Ensemble. Only her second outdoor sculptural installation, the project explores the sonic potential of stringed instruments as well as their formal possibilities. In the artist's unique response to modernism, these acoustic sculptures propose the line of the string as a proxy for art history, unbroken and continuous.
In her paintings, sculptures, works on paper, installations, and audio compositions, Jones uses sound to respond to the legacy of minimalism and to modernism itself. Drawing on her immersion in Black improvisation and avant-garde music, she deploys sound and listening as important conceptual elements of her practice, from the acoustic fiberglass panels she affixes to canvas, which absorb sound and affect the acoustic properties of the environment, to the lines and bars she creates through her compositions that refer to elements of musical notation. Her work across media offers new possibilities for minimalist abstraction, challenging how—and by whom—it is produced."
- the Met
Installation view of Ensemble, 2025, by Jennie C. Jones. Powder coated aluminum, stainless steel strings, instrument pins and concrete cast travertine tiles. Courtesy Alexander Gray Associates, New York © 2025 Jennie C. Jones
